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北京瑞達(dá)惠聲科技有限公司北京瑞達(dá)惠聲科技有限公司

YAMAHA雅馬哈 CL1/CL3/CL5數(shù)字調(diào)音臺(tái)

YAMAHA雅馬哈 CL1/CL3/CL5數(shù)字調(diào)音臺(tái)

產(chǎn)品詳情

三區(qū)推子布局、高效方便的控制能力,使CL5成為多種規(guī)模現(xiàn)場(chǎng)擴(kuò)聲系統(tǒng)的理想選擇。

  • 輸入、輸出通道:72 個(gè)單聲道,8 個(gè)立體聲;24個(gè)混音母線,8個(gè)矩陣母線。
  • 推子配置:16 推子的左側(cè)功能區(qū),8 推子的Centralogic 功能區(qū),8 推子的右側(cè)區(qū),2 推子主控功能區(qū)。
  • 鋁合金支架可支撐iPad。
  • 內(nèi)建電平表橋。

緊湊的體積結(jié)合強(qiáng)大通道能力,滿足多種現(xiàn)場(chǎng)和固定安裝應(yīng)用。

  • 輸入、輸出通道:64 個(gè)單聲道,8 個(gè)立體聲;24個(gè)混音母線,8個(gè)矩陣母線。
  • 推子配置:16 推子的左側(cè)功能區(qū),8 推子的Centralogic 功能區(qū),2 推子主控功能區(qū)。
  • 鋁合金支架可支撐iPad。
  • 電平表橋選購(gòu)件。

兩組8 推子功能區(qū)大大節(jié)省了空間,調(diào)音臺(tái)可以單獨(dú)使用,也可以級(jí)聯(lián)連接到另外的CL控制臺(tái),實(shí)現(xiàn)輸入擴(kuò)展。

  • 輸入、輸出通道:48 個(gè)單聲道,8 個(gè)立體聲;24個(gè)混音母線,8個(gè)矩陣母線。
  • 推子配置:8 推子的左側(cè)功能區(qū),8 推子的Centralogic功能區(qū),2 推子主控功能區(qū)。
  • 電平表橋選購(gòu)件。

I/O接口箱,5U 尺寸的Rio3224-D 提供了32 輸入, 16 輸出, 以及4個(gè) AES/EBU 輸出。

I/O接口箱,3U 尺寸的Rio1608-D提供了16 輸入以及 8輸出。

I/O接口箱,RSio64-D 音頻界面能夠在 Dante 以及 Mini-YGDAI 格式間實(shí)現(xiàn)轉(zhuǎn)換。最多支持64輸入/64輸出。

I/O接口箱,RMio64-D 是可以實(shí)現(xiàn)Dante/MADI 信號(hào)轉(zhuǎn)換的 I/O 接口箱。靈活的操控性使其適用各類廣電及現(xiàn)場(chǎng)擴(kuò)聲應(yīng)用場(chǎng)合。

輸入接口箱,1U 尺寸的 Ri8-D 提供了 8 輸入。

輸出接口箱,1U 尺寸的Ro8-D 提供了 8 輸出。

適用于CL3以及CL1的電平表橋。

MY擴(kuò)展卡,MY (Mini-YGDAI) 系列擴(kuò)展卡可選配插入數(shù)字調(diào)音臺(tái)以及DME系列后面板的I/O卡槽中。同樣擁有各類第三方擴(kuò)展卡。

PW800W緊湊而又輕量化(3U,10kg)。高效而又低速的風(fēng)扇另其同樣非常安靜。PW800W可以作為CL系列或者M(jìn)7CL的備份電源。當(dāng)與PM5D一同使用時(shí),兩臺(tái)設(shè)備可以串聯(lián)實(shí)現(xiàn)安全備份。PW800W可用于100-240V電壓環(huán)境,因此適用于全球各地的使用環(huán)境。

供調(diào)音臺(tái)使用的 LED 鵝頸燈。

對(duì)于每個(gè)音響師、藝術(shù)家和聽(tīng)眾來(lái)說(shuō),音質(zhì)是設(shè)備的根本。在這個(gè)前提下,通過(guò)全面分析、測(cè)試和改進(jìn)電路和技術(shù)的每個(gè)細(xì)節(jié),Yamaha CL 系列調(diào)音臺(tái)擁有了無(wú)比純凈的音質(zhì)。不僅如此,它還擁有一系列豐富的“色彩”可供選擇,從而為使用它們的音頻工作者提供了大的創(chuàng)新自由度。調(diào)音臺(tái)的信號(hào)處理器數(shù)量龐大,音質(zhì)出眾,其中包括的Portico 5033/5043EQ 均衡器和壓縮器等設(shè)備,它們將Yamaha VCM 技術(shù)與傳奇的Rupert Neve技術(shù)完美地結(jié)合在一起。在純凈自然的硬件平臺(tái)聲音基礎(chǔ)上,音響調(diào)音師們獲得了大幅度創(chuàng)造理想聲音效果的可能。

創(chuàng)建理想自然的聲音平臺(tái)

CL 系列調(diào)音臺(tái)全面運(yùn)用了目前先進(jìn)的數(shù)字音頻技術(shù),它所詮釋的自然音質(zhì)為藝術(shù)家和音響師發(fā)揮想象力提供了充分的條件。這種音質(zhì)不能單單用技術(shù)指標(biāo)衡量。反復(fù)聽(tīng)取行業(yè)中人士的評(píng)價(jià),進(jìn)行聽(tīng)音評(píng)測(cè),作為改善其聲音品質(zhì)不可或缺的環(huán)節(jié)。開(kāi)發(fā)者們花費(fèi)了大量的時(shí)間,付出了巨大的努力,創(chuàng)造了新一代CL 系列數(shù)字調(diào)音臺(tái)。

細(xì)致入微的聲音

挑戰(zhàn)始于調(diào)音臺(tái)的輸入口。為了獲得超高水準(zhǔn)的音質(zhì),每個(gè)部件——供電部分、接地部分、電路板、機(jī)械結(jié)構(gòu)以及信號(hào)初始輸入階段中數(shù)不勝數(shù)的細(xì)節(jié),都必須經(jīng)過(guò)為嚴(yán)苛的精選和設(shè)計(jì)。作為開(kāi)發(fā)進(jìn)程中重要環(huán)節(jié)的聽(tīng)音實(shí)測(cè),也正是從這個(gè)初階段開(kāi)始的。 因?yàn)楦淖円粋€(gè)電子元件可能讓聲音產(chǎn)生非預(yù)期的結(jié)果,所以開(kāi)發(fā)流程中細(xì)微的變更也注意并進(jìn)行評(píng)估。AD 和DA 轉(zhuǎn)換器也進(jìn)行了嚴(yán)格的測(cè)量,以達(dá)到優(yōu)良的性能。另外還有詳盡的AD/DA 主時(shí)鐘頻譜分析、FPGA 時(shí)鐘信號(hào)引導(dǎo)的調(diào)節(jié),以獲取自然具音樂(lè)性的聲音。任何音頻系統(tǒng)的另一個(gè)重要評(píng)判指標(biāo)是供電部分。這其中除了供電能力以外,供電電容的品質(zhì),以及接地功能都必須嚴(yán)格設(shè)計(jì)和制造,以確保達(dá)到低阻抗等嚴(yán)格要求。這一切使輸入信號(hào)能好地自然還原,為信號(hào)處理和效果器提供良好的基準(zhǔn),終產(chǎn)生完美的聲音。

非凡的品質(zhì)和創(chuàng)新潛力

為了創(chuàng)造盡可能豐富的現(xiàn)場(chǎng)聲并滿足藝術(shù)家的要求,音響師會(huì)運(yùn)用他們的經(jīng)驗(yàn)和想象力創(chuàng)造大量實(shí)用或是富于創(chuàng)造力的音效。因此調(diào)音師的首要工具——調(diào)音臺(tái),必須能滿足上述一切要求。當(dāng)然音質(zhì)是根本,但音質(zhì)只是CL 系列調(diào)音臺(tái)眾多優(yōu)勢(shì)的一部分。它們還配置了先進(jìn)的虛擬電路建模技術(shù),能夠按用戶的需要添加的聲音特性,在保證聲音真實(shí)性的前提下塑造聲音。

echnical Specification of CL/QL

CL5 CL3 CL1 QL5 QL1
Mixing Capacity Input Mixing Channels 72 mono + 8 stereo 64 mono + 8 stereo 48 mono + 8 stereo 64 mono + 8 stereo 32 mono + 8 stereo
Mix Buses 24 16
Matrices 8 (Input to Matrix supported) 8 (Input to Matrix supported)
Stereo Bus 1 1
Mono 1 1
Cue 1 (Second Cue Bus supported in CL V4.0 or later) 1 (Second Cue Bus supported in QL V4.0 or later)
Local Connectors Analog Inputs 8 32 16
Analog Outputs 8 16 8
MY Slots 3 2
Dante I/O Primary / Secondary Primary / Secondary
Digital Out 1 (AES/EBU) 1 (AES/EBU)
GPI 5 in / 5 out (CL V1.11 or later) 5 in / 5 out
Word Clock I/O Yes Yes
MIDI I/O In / Out In / Out
External Redundant PSU Optional PW800W No
Meter Bridge Output meter built-in Optional MBCL No
Ethernet Yes Yes
AC Inlet V-Lock Type V-Lock Type
Scene Memory Number of Scenes 300 300
Recall Safe Yes Yes
Focus Recall Yes Yes
Fade Time Yes (0s ~ 60s) Yes (0s ~ 60s)
Preview Yes (CL V1.51 or later) Yes
Selective Load / Save Yes (CL V1.7 or later) Yes
Tactile Control Keys Yes No (on-screen)
Input Channel Functions Gain Compensation Yes Yes
Digital Gain Yes (-96dB ~ +24dB) Yes (-96dB ~ +24dB)
ATT -96dB ~ 0dB -96dB ~ 0dB
HPF 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later) 20Hz ~ 600Hz, -6 or -12dB/oct Selectable
PEQ 4 Band Full PEQ
(RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
4 Band Full PEQ
(RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later)
Dynamics 1 Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later) Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in QL V4.0 or later)
Dynamics 2 Compressor / Compander-H / Compander-S / De-esser Compressor / Compander-H / Compander-S / De-esser
Input Delay Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later) Yes (0ms ~ 1000ms, frame delay support in QL V3.0 or later)
Pan CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later
L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later
CENTER NOMINAL or LR NOMINAL for monaural input channels in QL V3.1 or later
L-MONO, R-MONO or LR-MONO for stereo input channels in QL V3.1 or later
DCA Group 16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later) 16 (Output DCA support in QL V3.0 or later)
MUTE Group 8 8
Number of Inserts 2 (CL V2.0 or later) 2
Direct Out Yes Yes
Output Channel Functions PEQ 4 Band Full PEQ
(RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
4 Band Full PEQ
(RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later)
Dynamics 1 Compressor / Expander / Compander-H / Compander-S Compressor / Expander / Compander-H / Compander-S
MUTE Group 8 8
Number of Inserts 2 (CL V2.0 or later) 2
Premium Rack Number of Premium Racks 8 8
Mountable Device RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later) RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (QL V3.0 or later) / MBC4 (QL V4.0 or later)
Effect Rack Number of Effect Racks 8 8
Number of Effect Programs 54 54
Mountable Device Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later) Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (QL V3.0 or later)
GEQ Rack Number of GEQ Racks 16 8
Mountable Device 31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later)
(RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later)
31BandGEQ / Flex15GEQ / Dugan Automixer / 8Band PEQ (CL V3.0 or later)
(RTA overlay support in QL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in QL V4.0 or later)
Dante Number of I/O Channels 64 in / 64 out 64 in / 64 out 32 in / 32 out
Number of I/O devices that can be discovered from the console *1 63 127
Number of I/O devices that can be mounted 24 24
Number of I/O devices with HA remote control *2 8 8
Dante Patch from Console Yes Yes
Recording USB Memory Recording Yes Yes
DVS Recording Yes (DVS and Nuendo Live bundled) Yes (DVS and Nuendo Live bundled)
Broadcast Functions 5.1 Surround Panning Yes (CL V3.0 or later) Yes (QL V3.0 or later)
Surround Monitor Yes (CL V3.0 or later) Yes (QL V3.0 or later)
Mix Minus Yes (CL V2.0 or later) Yes (QL V3.0 or later)
L-Mono / R-Mono / LR-Mono Yes (CL V3.0 or later) Yes (QL V3.0 or later)
Monitor Solo Mode Yes (CL V4.0 or later) Yes (QL V4.0 or later)
Second Cue Bus
(allows the MATRIX 7/8 to be used as a CUE B bus)
Yes (CL V4.0 or later) Yes (QL V4.0 or later)
Oscillator Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise Sine Wave 1ch / Sine Wave 2ch (QL V3.0 or later) / Pink Noise / Burst Noise
Other Functions Port to Port No Yes
RTA Yes (CL V3.0 or later) Yes (QL V3.0 or later)
Output Port Delay Yes (0ms ~ 1000ms, frame delay support in CL V3.0) Yes (0ms ~ 1000ms, frame delay support in QL V3.0)
Cascade Yes (via MY slots) Yes
User Level Yes Yes
Help File Yes (CL V1.51 or later) Yes
Channel Link Yes (Output Channel Link support in CL V3.0 or later) Yes (Output Channel Link support in QL V3.0 or later)
Channel Copy/Move Yes Yes
Control & Monitoring for Digital Wireless Receivers Shure ULXD4D/ULXD4Q (CL V4.0 or later) Shure ULXD4D/ULXD4Q (QL V4.0 or later)
User Interface Display 10 inch Touch Panel 10 inch Touch Panel
Centralogic Section Yes No
Faders 16 + 8 + 8 + 2 16 + 8 + 2 8 + 8+ 2 32 + 2 16 + 2
Selected Channel Encoders Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends Gain, HPF, PEQ (controls for a selected band), Dynamics 1/2(Threshold only), Pan
Channel Encoder Yes (for Gain, Send Level, or an assigned parameter) No
Channel Name / Color Display Yes Yes
Custom Fader Banks Yes (customized for each fader section) Yes (customized for all faders in a lump, MASTER fader of FADER BANK A in QL V4.0 or later)
User Defined Keys 16 (x 4 banks in CL V3.0 or later) 12 (x 4 banks in QL V3.0 or later)
User Defined Knobs 4 4 (on-screen)
Touch and Turn Knob Yes (using a User Defined Knob) Yes
Monitor Level Knob Yes Yes (on-screen)
Wooden Arm Rest Yes No
iPad Stay Yes No Yes No
Rack-mounting No No Yes
Software Editor CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later) QL Editor (Win/Mac, CSV files import/export in QL Editor V4.0.0 or later)
StageMix CL StageMix (iPad app) QL StageMix (iPad app)
MonitorMix Yes (CL V4.00 or later) Yes (QL V4.00 or later)
Console File Converter Yes (Win/Mac) Yes (Win/Mac)

*1) This is the maximum number of devices shown in the ONLINE DEVICE LIST of Dante SETUP. Only devices shown in the list can be mounted from the console.
*2) Each rack in the REMOTE HA ASSIGN window can have up to 32 channels.

CL5, CL3, CL1

CL5 CL3 CL1
Sampling frequency rate Internal 44.1kHz / 48kHz 44.1kHz / 48kHz 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.  Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.  Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. 
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max. -128dBu typ., Equivalent Input Noise, Input Gain=Max -128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise -88dBu, Residual output noise, ST master off -88dBu, Residual output noise, ST master off -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 1053mm (41 1/2in) 839mm (33 1/8in) 648mm (25 5/8in)
H 299mm (11 3/4in) 299mm (11 3/4in) 299mm (11 3/4in)
D 667mm (26 1/4in) 667mm (26 1/4in) 667mm (26 1/4in)
Net weight 36kg (79.4lb) 29kg (63.9lb) 24kg (52.9lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

Analog Input Characteristics

Input Terminals GAIN Actual Load
Impedance
For use with nominal Input level Connector
Sensitivity*1 Nominal Max. before clip
OMNI IN 1-8 +66dB 7.5kΩ 50-600Ω Mics &
600Ω Lines
-82dBu (61.6μV) -62dBu (0.616mV) -42dBu (6.16mV) XLR3-31 type (Balanced)*2
-6dB -10dBu (245mV) +10dBu (2.45V) +30dBu (24.5V)
TALKBACK +64dB 10kΩ 50-600Ω Mics &
600Ω Lines
-70dBu (0.245mV) -60dBu (0.775mV) -40dBu (7.75mV) XLR3-31 type(Balanced)*2
+20dB -26dBu (38.8mV) -16dBu (0.123V) +4dBu (1.23V)

*1. Sensitivity is the lowest level that will produce an output of +4dBu(1.23V) or the nominal output level when the unit is set to maximum gain.(all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced..(1=GND, 2=HOT, 3=COLD) 
*3. In these specifications, 0dBu = 0.775 Vrms. 
*4. All input AD converters are 24bit linear, 128times oversampling.
*5. +48V DC ( phantom power ) is supplied to OMNI IN (1-8) and TALKBACK XLR type connectors via each individual software controlled switches.

Analog Output Characteristics

Output Terminals Actual Source
Impedance
For Use With
Nominal
GAIN SW*5 Output Level Connector
Nominal Max. before clip
OMNI OUT 1-8 75Ω 600Ω Lines +24dB (default) +4dBu (1.23 V) +24dBu (12.3 V) XLR-3-32 type(Balanced)*1
+18dB -2dBu (616mV) +18dBu (6.16V)
PHONES 15Ω 8Ω Phones - 75mW*6 150mW Stereo Phone Jack (TRS) (Unbalanced)*2
40Ω Phones - 65mW*6 150mW

*1. XLR-3-32 type connectors are balanced.( 1=GND, 2=HOT, 3=COLD )
*2. PHONES stereo phone jack is unbalanced.( Tip=LEFT, Ring=RIGHT, Sleeve=GND )
*3. In these specifications, 0dBu = 0.775 Vrms.
*4. All output DA converters are 24bit, 128times oversampling.
*5. There are switches inside the body to preset the maximum output level.
*6. The position of the level control is 10dB lowered from Max. 

Digital Input & Output Characteristics

Terminal Format Data length Level Audio Connector
Primary/Secondary Dante 24bit or 32bit 1000Base-T 64ch Input/64ch Output @48kHz etherCON Cat5e

Digital Output Characteristics

Terminal Format Data length Level Connector
DIGITAL OUT AES/EBU AES/EBU Professional Use 24bit RS422 XLR-3-32 type (Balanced) *1

*1. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)

I/O Slot (1-3) Characteristics

Control I/O Characteristics

Each I/O Slot accepts a Mini-YGDAI card. Only Slot1 has a serial interface.

Terminal Format Level Connector
MIDI IN MIDI - DIN Connector 5P
OUT MIDI - DIN Connector 5P
WORD CLOCK IN - TTL/75Ω terminated BNC Connector
OUT - TTL/75Ω BNC Connector
GPI (5IN/5OUT) - - D-Sub Connector 15P (Female) *1
NETWORK IEEE802.3 10BASE-T/100Base-TX/ RJ-45
LAMP (CL5=3, CL3=2, CL1=1) - 0V - 12V XLR-4-31 type *2
USB HOST USB 2.0 - USB A Connector (Female)
Meter Bridge (CL3/CL1 only) - - D-Sub Connector 9P (Female)

*1. Input pins: Internal TTL-level pull-up resistors provided (47kΩ). Output pins: Open-drain output (Vmax = 12V, max. sink current/pin = 75mA) Power pins: Output voltage Vp = 5V, max. output current Imax = 300mA
*2. Pin 4 = +12V, Pin 3 = GND, lamp rating 5W. Software voltage control.

以數(shù)字方式再現(xiàn)動(dòng)人的模擬聲

Rupert Neve 先生是音頻行業(yè)的傳奇。他的貢獻(xiàn)貫穿于音頻錄音和制作行業(yè)發(fā)展的歷史和,其所推出的話筒前級(jí)放大器、均衡器、壓縮器和調(diào)音臺(tái)都成為專業(yè)音頻領(lǐng)域的黃金標(biāo)準(zhǔn)。

毫無(wú)疑問(wèn),Mr. Neve 對(duì)待聲音的態(tài)度非常嚴(yán)肅,因此他本人和他的Rupert Neve Designs 公司正式認(rèn)可Yamaha 原型VCM(虛擬電路建模)技術(shù)是我們巨大的榮幸。他們表示,該技術(shù)是能夠準(zhǔn)確建模豐富而具表現(xiàn)力的模擬聲的技術(shù)。采用VCM 技術(shù),數(shù)字音頻會(huì)被終賦予模擬設(shè)計(jì)方案的音質(zhì)。

VCM 技術(shù)由Toshi Kunimoto(“Dr. K”)先生和他的Yamaha創(chuàng)新部門(mén)“K’s Lab”所開(kāi)發(fā),是一種電路建模概念,深入到電容和電阻層面高效模仿每個(gè)電路部件的詳細(xì)特性,終創(chuàng)造出一種驚人的真實(shí)電路模擬效果,這種技術(shù)的聲音輕松超越任何普通數(shù)字模仿技術(shù)的效果。然而精確性也不是的考量標(biāo)準(zhǔn),音樂(lè)性也同樣重要,兩者都可以通過(guò)VCM 建模技術(shù)實(shí)現(xiàn)。

CL 配備了的Neve Portico 5033 均衡器和Portico 5043 壓縮/ 限制器等VCM 型號(hào)效果器,而這兩種效果器都是在Yamaha 和 Rupert Neve Designs 公司緊密合作下開(kāi)發(fā)的。調(diào)音臺(tái)中還包括其它VCM均衡器、壓縮器和錄音棚級(jí)效果器。相信您一定會(huì)聽(tīng)出其中的不同。

內(nèi)建了革命性的Dan Dugan自動(dòng)混音器

通過(guò)與Dan Dugan Sound Design公司的深度合作,具有先進(jìn)算法的Dan Dugan自動(dòng)話筒混音技術(shù)已經(jīng)被應(yīng)用到CL系列調(diào)音臺(tái)。方便的設(shè)置:只需將處理器插入多16個(gè)通道,即可自動(dòng)優(yōu)化話筒增益的分配。增益控制平滑流暢,像一名經(jīng)驗(yàn)豐富的音響師正在操作一樣。系統(tǒng)能夠有效降低反饋和梳狀濾波問(wèn)題。對(duì)于演講用途,尤其是脫稿演講時(shí),該功能可讓調(diào)音師擺脫不斷操作推子的工作,專注于其它調(diào)音細(xì)節(jié),從而獲得持續(xù)的高品質(zhì)混音。

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